…this week the Indianapolis Museum of Art plans to announce that it has acquired a trove of work and correspondence by Weegee, the crepuscular, stogie-smoking New York photographer whose visceral pictures became a template not only for artists like Diane Arbus but also for much of the uncomfortably close tabloid imagery that exists today. The museum described the acquisition as a partial gift and partial purchase from the dealer.
The trunk is assumed to have once been the possession of Wilma Wilcox, a social worker who was Weegee’s companion and lived with him from 1957 until his death in 1968. Upon her death in 1993, she bequeathed the bulk of his work — thousands of prints and negatives — to the International Center of Photography in Manhattan. How the trunk full of prints and 62 letters to Ms. Wilcox from Weegee (born Usher Fellig in what is now Ukraine, and later known as Arthur Fellig) ended up in Kentucky is a mystery that neither the Indianapolis Museum nor the dealer, Steve H. Nowlin, has solved.
“People who work in the daytime are suckers,” he once said. Before the publication of his first book, “Naked City,” made him famous in 1945, he lived in a cheap room near police headquarters and was said to be so accustomed to working on the run that he once developed a picture of a prizefight in a subway motorman’s cab while rushing back to a newspaper office.
I was aware that it’s tougher than ever to be a photographer these days, but this is the first time I’ve heard of fighting the competition with a slingshot:
Kurtis Leo Leany, 52, must also pay a $1,000 fine, write a letter of apology to the victim and complete an anger-management class as part of a 36-month probation.
In March, Leany pleaded guilty as charged in 5th District Court to one count of third-degree felony criminal mischief.
Leany used a slingshot to damage windows at Studio West Photography five times during a six-week period between Aug. 5 and Sept. 14, according to court documents. He told police he believed owner Karl Hugh was stealing business from him.
But Leany, who owns Zion Photography, later told The Tribune: “I was just in a really bad place; I couldn’t see that it was the economy and I instantly blamed [Hugh] because of things in the past.” —